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Avantone Pro CLA-10A Active Studio Monitors (Pair)

200W Active Studio Monitor with 7" Woofer and 1-3/8" Soft-dome Tweeter (1-pair)
$999.00 (pair)

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Avantone Pro CLA-10A Active Studio Monitors (Pair)
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Exposes the Shortcomings of Your Mix

The Avantone Pro CLA-10A is a powered re-creation of the ubiquitous white-coned studio monitor that engineers have sworn by for decades. Whereas most active 2-way monitors use a switch-mode power supply and Class D amplifier, Avantone's success with their passive CLA-10 and CLA-200 amplifier allows them to stick with what engineers worldwide have come to expect from this combination. Hence, the CLA-10A boasts a traditional linear onboard power supply and 200 watts of Class AB output. Sure, it's a hefty package with a heatsink, but it sounds amazing!

Active version of a passive re-creation of a classic

Avantone Pro's CLA-10A is based on its passive predecessor, itself a modern reworking of the classic white-coned studio monitor that studio pros have relied on for decades. Like the original, the CLA-10A exposes every shortcoming of your mix. Nail it on a set of these, and you're guaranteed a mix that translates everywhere. Avantone has been making replacement drivers for this monitor for a while now. These direct-replacement parts were painstakingly reverse-engineered from the source components and have garnered acclaim for replicating their sonic signature. The CLA-10A takes it to the next level, reproducing the entire speaker — and adding a beefy 200 watts of onboard amplification. Avantone built the CLA-10A from top-shelf materials (some of higher quality than the originals). If you want to hear your mix — warts and all — this is the speaker to get.

The ultimate reality check

There's nothing flat about this studio monitor's frequency response. Like its predecessors, the CLA-10A delivers a fatiguing, mid-heavy sound. And like most sealed-box speakers, it has limited bass extension. In other words, this isn't the best-sounding speaker in the world. In fact, it sounds downright dreadful in some circumstances — cold and clinical. That said, it's this quality that exposes the flaws in your mix. And that's where this monitor's magic lies — perfect your mix on a pair of CLA-10As, and it's sure to sound great everywhere.

Physically and sonically identical to the original

Except for its built-in amplification circuitry, the Avantone Pro CLA-10A is physically identical to the original. Its tweeter dome uses the same phenolic resin doping to match the original's performance curve. Its woofer uses custom-tooled mechanical parts that mirror the original. The CLA-10A's woofer cone eschews the original's curl-and-join construction for a modern pressed design but is an exact sonic match. Avantone even sourced the cone material from the original vendor! All of the CLA-10A's passive components were reverse-engineered from the original speaker for an exact match throughout the frequency range.

Meticulously tested for top-notch performance

In spite of the CLA-10A being a sonic clone of its vintage counterpart, it uses higher-grade components than the original. This allows for tighter production tolerance and meets current ROHS and WEEE requirements. And these monitors were tested in extremis. At Sweetwater, we've rarely seen such meticulous quality control. Avantone conducted hundreds of hours of testing to ensure as close a match as possible. Every component was tested in one of the world's top studios. Every magnet was tested in the gap for field density, ensuring a uniform performance curve. And before it was given the stamp of approval, a range of esteemed recording engineers reached a consensus that the CLA10 is an exact match to the original — it's the real deal!

Avantone Pro CLA-10A Active Studio Monitor Features:

  • Powered re-creation of the ubiquitous white-coned studio monitor
  • Onboard 200W Class AB amplification
  • Mid-heavy sound exposes every shortcoming of your mix
  • Physically and sonically identical to the original design
  • Hundreds of hours of testing ensure as close a match as possible
  • All components were reverse-engineered from the original speaker for an exact frequency match
  • Tweeter dome uses the same phenolic resin doping to match the original's performance curve
  • Woofer uses custom-tooled mechanical parts that mirror the original
  • Inductors match the original in DC resistance, winding dimensions, and value
  • Uses numerous higher-grade components than the original for tighter production tolerance and ROHS and WEEE compliance

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Tech Specs

  • Powered: Yes
  • Power Configuration: Single Amp
  • Quantity: Pair
  • LF Driver Size: 7" woofer
  • LF Driver Type: 18cm Cone
  • HF Driver Size: 1.3" tweeter
  • HF Driver Type: 3.5cm Soft Cone
  • Total Power: 200W Class AB
  • Frequency Response: 60Hz-20kHz
  • Maximum Peak SPL: 104dB
  • Input Types: 1 x Combination XLR/1/4" (balanced), 1 x RCA (unbalanced), RCA
  • Features: Variable Tissue Paper Control
  • Enclosure Type: Sealed
  • Enclosure Material: 18mm MDF with Real Wood Veneer
  • Height: 8.4"
  • Width: 15"
  • Depth: 7.7"
  • Weight: 18 lbs. (each)
  • Manufacturer Part Number: CLA-10A

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Customer Reviews

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Rated 5/5

Better than the originals.

I've worked on classic NS10's for years, and have become accustomed to many of the different models and their sound. When looking for a pair for my own studio, I stumbled across these.

No need for an external amplifier. None of the fuss with deteriorating electronics. These monitors from Avantone absolutely NAIL what they are going for.

Beware: If you are looking for "high quality audio" these are not your speakers. These are very midrange focused, and a more of a tool to be used on top of high quality monitoring when mixing.

I consider these speakers to by my reality check when finishing up a mix or cleaning up areas in these monitors sweet spot. The ultimate companions to my Adams. They absolutely have helped me identify critical flaws within my leveling, EQ, and compression.

These monitors are built like a tank, and the VTPC control on the rear is great for tuning these to your own expectations of what a pair of NS10's should sound like. Clockwise for the modern revisions, counter clockwise for the darker, classic sound.

Would highly recommend these to anyone who has worked on NS10's before, or is looking to get into the habit.
Music background: Co-Owner of Ari B Studios, Producer/Engineer
Rated 5/5

BEST STUDIO MONITORS FOR TRANSLATION

These are hands down the best studio monitors for making your mixes translate. A lot of people are saying you can't hear the low frequencies at all because it focuses on the mid range. While that is true, I mix primarily hip hop and rap and I can say there is enough to hear the low end fine, mid range is silky smooth while still giving the high end presence definitely worth every penny. I came from the HS5s while those did the job these are definitely the way to go. Now I never have to second guess anything when I'm mixing!!!!!! BESTTTT EVEERRRRR!
Rated 5/5

And just like that I hate every mix I've ever done...

I have a professional level studio in my house and yet all of my mixes were lacking something. They'd sound good on my KRK's but the low end was always a struggle, even in my treated mix room. Something just seemed to be missing. I've been looking for another set, even secondary set of monitors and looked into the Adam's, Focal, upgrading to a higher end KRK... then decided to give the NS10 style a chance. I used NS10s 20 years ago in Nashville and remembered hating mixing on them but at least my low end was consistent.
These Avantones were perfect right out of the box. Immediately heard some 4k to take out of my Electric guitars, and spent less than 5 minutes getting the most beautiful low end in years. I cannot speak highly enough about these monitors. Except, maybe don't buy them so I can get more mix work. These are just fantastic monitors. If your mix sounds good on these, it'll sound great anywhere.
Music background: Engineer, Producer, Musician
Rated 5/5

Blown away!!!

I fell in love with the brand a few years ago when i bought a ck7 large condenser microphone and since purchased two ck6's , two ck1's and a mondo kick mic. I saw these advertised and was immediately interested because i learned production in college and used the old ns10 monitors but due to the price tag i wanted to do some research first. I watched some videos on YouTube from Avantone as well as third party reviews to compare to the standardized Yamaha ns10 monitors. The conclusion of my research determined they're just like the old Yamahas but new. I decided to pull the trigger and i couldn't be happier. These are super flat sounding which is ideal for mixing. Once i mixed on these and then tested the track in the car i couldn't believe how much of an improved result i had. Just on a first mix i was getting results that used to take me weeks of adjustments to get it right. These will save you time and will inspire you to create more. After experiencing these in my own home studio, I'd gladly pay double the cost if i needed to down the road. I've been doing this for Near 20 years and i was told many times that the monitors you work on are vital to your end result. If you can get your mix right on these you'll be thrilled once you hear it on all listening devices whether it be a car, headphones, home audio system or even your smartphone speaker or laptop. You're not investing in speakers here, you're investing in YOUR efficiency and creativity. Buy it now! Just do it. I couldn't be happier!
Music background: Neai alumni 2007, singer/guitarist of Loser Birds
Rated 5/5

These are the real deal

I've mixed on the original Yamaha NS-10's both in college and in an earlier version of my home studio. Fast forward a number of years to now, and I'd since sold my NS-10's and wished I still had them. My Sales Engineer told me about the Avantone CLA-10A's and said they were, for lack of anything else, THE SAME as the original NS10's and that made me pull the trigger. I can tell you, they ARE EXACTLY what I remember the NS-10's to sound like. It's fantastic that they're powered, since the power amps included match what I remember using when I had my passive NS10s. These things are the best reproduction of the NS10's that I've had the pleasure of mixing on. Why pay close to $800 or $900 for NS10's alone... spend a few extra bucks, get these active CLA10a's, and you'll never shop for NS10's again. Seriously, these are the real deal... They make a great counterpart to the Yamaha HS-8's, which are what my CLA10a's are sitting on top of. :)
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